Heavy Metal Daily

ORDER HERE: https://smarturl.it/fundeath Skull crushing death metal reigns supreme; if the blood-spattered glory of Carcass is your (body) bag, if the headbang-inducing brutality of Cannibal Corpse is too much for you to resist, then UNDEATH have served up a feast for you. Lesions Of A Different Kind is the sound of three lifetimes of subterranean sickness and death metal worship coalescing in a severe brain-bludgeoning unlike anything you've heard before. Video created by Justin Waaland https://www.facebook.com/fundeath https://twitter.com/undeathNY https://www.instagram.com/undeathrochester

Gojira's official video for 'Another World', available now on Roadrunner Records: https://gojira.lnk.to/AnotherWorld Directed by Maxime Tiberghien & Sylvain Favre Fire and smoke simulations by Eric Tualle Compositing additional help : Julien Cerdeira Storyboard additional help : Julie Lafeuille Color consulting : Arnaud Philippe-Giraud Subscribe: http://bit.ly/171a3Ya Site: http://gojira-music.com Facebook: https://facebook.com/GojiraMusic Twitter: https://twitter.com/gojiramusic Instagram: http://instagram.com/gojiramusic LYRICS We mock and slaughter all the purest kinds Blinded by the noise and maze, this flash in our eyes Hope for the world but prepare for the worst I’d rather find a way on my own Another world, another place to be Other world, a new place for me Don’t believe your lies, don’t believe your tales I’m longing for the day I will find… Another world, another place to be Other world, a new place for me Another world, another place to be Other world, a new place for me

Order at: https://www.metalblade.com/anaalnathrakh The title track from Anaal Nathrakh's "Endarkenment" album. CREDITS: Directed and Edited : David Brodsky for MyGoodEye (facebook.com/MyGoodEye) Producers : David Brodsky and David Hunt Illustrator : Tim Kellen Animation : Tim Kellen and David Brodsky Director of Photography : Laura Johnson #anaalnathrakh #endarkenment

PRE-ORDER MY NEW ALBUM TERMINAL VELOCITY - https://orcd.co/TerminalVelocity Terminal Velocity marks the first solo album by John Petrucci to be released in 15 years, as well as, his first through The Orchard Music on his Sound Mind Music record label. The artwork was created by Sean M. Smith at Echo Designlab (Stone Sour, Hollywood Undead, In This Moment). Terminal Velocity was written and produced by John Petrucci, recorded by James ‘Jimmy T’ Meslin and mixed and mastered by Andy Sneap (Judas Priest, Killswitch Engage, Arch Enemy). The album sees the return of bassist Dave LaRue (Dixie Dregs, Flying Colors) who played on John’s debut solo album and subsequent G3 tours, as well as, an eagerly anticipated reunion with former Dream Theater drummer Mike Portnoy (Transatlantic, Winery Dogs, Sons Of Apollo). “It was awesome bringing Dave back to play bass on this album. He is just such a monster player who can handle anything you throw at him with tastefulness and unmatched musicality. His melodic approach to bass lines along with impeccable technique and groove for days really stands out on these tunes.” Portnoy’s appearance on Terminal Velocity marks the first recording of the guitarist and his former bandmate in over a decade and the first since Portnoy left the band in 2010. “Having Mike play drums on this record was really special for me and he did an absolutely incredible job navigating the various styles and technical challenges my music presented in the way that only he can do. It was very cathartic for the both of us, I think, to be playing music together again after all these years and it really felt great! Mike’s spirited, intuitive and energetic playing truly helped to elevate these new songs to a level that I couldn’t be happier with.” In the beginning of March 2020 while the COVID-19 global pandemic was unrelentingly reeking it’s havoc on the world and especially NY, John started working on the music that would make up Terminal Velocity at the DT Headquarters on Long Island with engineer Jimmy T at the helm. “All DT touring for the rest of the year was either being cancelled or postponed and even though I had already planned on starting the project this Spring, I suddenly found myself with many unanticipated months at home. Jimmy T and I would head into the DTHQ 5 days week for about 2 and a half months and, as I wrote and constructed the new tunes, he was right there capturing it all and turning it into a record. Initially, he programmed drums and we shared bass playing responsibilities just to get the ideas to a place where they sounded like completed and cohesive songs but we always anticipating that ‘work in progress’ drums and bass would eventually be replaced.” The 9 songs on Terminal Velocity showcase John’s affinity for writing tightly-weaved guitar instrumental powerhouses that feature everything from monster riff breaks to passion-filled melodic themes worthy of film soundtracks, to all-out shred extravaganzas that leave the listener feeling like they just stepped off of a thrilling musical roller coaster ride. “Much like the songs on my first solo album, Suspended Animation, I wanted the new tunes to really showcase what I’m all about as a player and to give an up-to-date depiction of where I am musically and how I like to express myself on the instrument. It’s about capturing the attitude of the performances and of course as always, very much about capturing the tone that I’ve worked so hard over the years to develop and refine.” Although a few of the songs that make up Terminal Velocity were actually written quite a long time ago and even played live but never properly recorded, over half the album’s content is new music that John created while in the studio during the quarantine. “I believe that making this record when I did really helped me to maintain a sense of stability and normalcy during such a crazy time in our history.” “It was encouraging for me and my family to embrace something so...

Official Carcass track "The Living Dead At The Manchester Morgue" from the EP, Despicable, out October 30, 2020 via Nuclear Blast. Order: https://nuclearblast.com/carcass-despicable. Subscribe to Nuclear Blast YouTube: http://nblast.de/NBytb Subscribe to Carcass YouTube: http://nblast.de/subs-carcass-yt ORDER AT: Nuclear Blast: https://nuclearblast.com/carcass-despicable iTunes: https://nblast.de/CarcassDespicableIT Amazon: https://nblast.de/CarcassDespicableAZ LISTEN ON: Spotify: https://nblast.de/CarcassSpotifyComplete Apple Music: https://nblast.de/CarcassDespicableAM Deezer: https://nblast.de/CarcassDespicableDZ VISIT THE BAND Facebook: https://www.facebook.com/OfficialCarcass Instagram: https://www.instagram.com/carcassband Twitter: https://twitter.com/CarcassBand YouTube: http://nblast.de/subs-carcass-yt On Tour: http://bit.ly/carcass-on-tour

Mr. Bungle return with The Raging Wrath Of The Easter Bunny Demo, in stores October 30th! Pre-order the CD, Digital, Cassette, Multiple Colored 2LP Vinyl and Merch Bundles at https://lnk.to/MBWrath WARNING: HEAVY STROBING IMAGES Trevor Dunn, Mike Patton and Trey Spruance are joined by Scott Ian and Dave Lombardo for the band's first album in 21 years! Video for "Raping Your Mind" created by Eric Livingston (https://www.instagram.com/firstchurchofthevoid/) The 11-song release features tracks written by the Eureka, Calif.-born band for their 1986 cassette only demo as well as a reimagined cover of the S.O.D. classic “Hypocrites / Habla Español O Muere” (a.k.a. “Speak English or Die”) and Corrosion of Conformity’s “Loss For Words.” A video for “Raping Your Mind” is available now (https://youtu.be/3U5ZKKxqUzY). The album was produced by Mr. Bungle, recorded by Husky Höskulds at Studio 606, and mixed by Jay Ruston. Rhea Perlman narrates “Anarchy Up Your Anus.” "Recording THIS music with THESE guys was an enormous head-rush of virtuosity and surprises every day in the studio,” explains Patton. “Trey’s video game-esque solos, Scott’s bionic right hand and cyborg-like precision, Dave’s caveman-meets-Bobby Brady-like drum fills, Trevor’s solid foundation and laser-focus to detail. There is nothing sweeter than getting your ass kicked by true comrades…where everyone has a singular drive and mission.” Trevor Dunn adds: “Recording this record felt like we were finally utilizing our Ph.Ds in Thrash Metal. All we had to do was go back to our original professors for some additional guidance and talk them into joining us. Turns out we were A+ students. We even went for extra credit by revisiting some tunes that we'd given up on back in the day. It was less like a trip of nostalgia and more like the refining of an original, worthy document. We were haunted for 35 years by the fact that this music wasn't given it's due respect. Now we can die.” In addition the the standard CD Digipak, the album is available in other limited formats: CD Yearbook - 5000 Cassette Webstore Exclusive - 500 2LP Translucent Ruby Red Vinyl - 6500 2LP Webstore Exclusive Clear with Black Splatter Vinyl - 1000 2LP US Webstore Exclusive Silver with Red/Black Splatter Vinyl - 1000 2LP US Retail Exclusive Clear with Blood Red Splatter Vinyl - 2000 2LP International Retail Exclusive Transparent Red Smoke Vinyl - 3500 The Raging Wrath of the Easter Bunny Demo track list: 1. Grizzly Adams 2. Anarchy Up Your Anus 3. Raping Your Mind 4. Hypocrites / Habla Español O Muere 5. Bungle Grind 6. Methematics 7. Eracist 8. Spreading The Thighs of Death 9. Loss For Words 10. Glutton For Punishment 11. Sudden Death Mr. Bungle was formed in an impoverished lumber and fishing town by a trio of curious, volatile teenagers. Trey Spruance, Mike Patton and Trevor Dunn beget the amorphous “band” in 1985 up in Humboldt County, Calif., sifting through a variety of members until around 1989 when they settled on a lineup that managed to get signed to Warner Bros. Records. No one really knows how this happened and it remains a complete mystery that even the algorithms of the internet can’t decode. Up until 2000 they released three albums (Mr. Bungle in 1991, Disco Volante in 1995 and California in 1999), toured a good portion of the Western hemisphere and avoided any sort of critical acclaim. Some argue that the band subsequently broke up but there is also no proof of this. What is true is that they took 20 years off from performing under said moniker while they pursued various other musics that, in contrast, paid the rent. http://www.mrbungle.com http://www.facebook.com/ou818 http://www.twitter.com/mrbungle http://www.instagram.com/mrbungleofficial http://www.ipecac.com

Order at: https://www.metalblade.com/armoredsaint "End of the Attention Span" from the "Punching the Sky" album. Bassist Joey Vera comments: "We've teamed up with video director Robert Graves for our first single, 'End of the Attention Span'. Robert got the lyrical content right away and together we delved into society's ongoing fascination with electronic devices and the insidious disconnect it creates. The irony is that most of us feel connected together through our phone and computer screens, but the reality is that we have created a wedge between ourselves. Our human interactions have been infected with an intense need for information. We're always 'looking' for more. The end result is a very damaged attention span." Produced by: Defiant Digital Productions (http://www.defiant-digital.com) Director: Robert Graves Grip: Israel Gutierrez Armored Saint online: http://armoredsaint.com https://www.facebook.com/thearmoredsaint https://twitter.com/thearmoredsaint https://www.instagram.com/thearmoredsaint LYRICS: End of the Attention Span Foot apart Must be contagious Oh so close but something divides us That’s us We’re lost within our screens We want to stop Move on to the next thing Feeling trapped and the cavity’s growing That’s our starvation for routine Concentration oh please That’s just an overrated inflated commodity Power’s drained and that spells the end Attention Dissipating slowly eroding end The end Of the Attention Span That spells the end Attention Depreciating anti evolving end The end Of the Attention Span A great night At the performance Massive stage lights in abundance That’s us We’ll watch it through our screens (God!) Sidetracked Fed a distraction So pissed off is the artist’s reaction Our fleeting moment gets careened Concentration what give’s That’s just an overrated sedated commodity Power’s hacked and that spells the end Attention Dissipating slowly eroding end The end Of the Attention Span That spells the end Attention Depreciating quickly regressing end The end Of your Attention Span A new norm Make the adjustment Every eye humanity’s descent That’s you You’re watching through your screen Reject Life moving forward I question that better is backwards And one idea is to convene Concentration is time Just an overrated sedated commodity Power’s dead and that spells the end Attention Dissipating slowly eroding end The end Of the Attention Span That spells the end Attention Depreciating strongly rebelling end The end Of my Attention Span

'Medium Rarities' out September 11 Connect with Mastodon: http://mastodonrocks.com http://facebook.com/mastodon http://twitter.com/mastodonmusic http://instagram.com/mastodonrocks Mastodon - Fallen Torches [Official Visualizer]

"[Grandpa Metal] Mona Lisa of comedy metal albums." - KERRANG! Available at Amazon: https://www.amazon.com/Grandpa-Metal-... http://brianposehn.com Directed and Edited by Jack Bennett Produced by Brian Posehn & Jack Bennett Executive Producer: Missi Callazzo Cinematography by Mike Moghaddam and Matt Fore Additional Cinematography by Justin Cruse Camera Operators: Mike Moghaddam, Matt Fore, Bond Bhinvatdhana, John Wilbers, Pearl Animation by Tony Celano Crayon Animation by Jack Bennett Visual Effects by Adam Lima Scott Ian Devil Makeup by Vincent Van Dyke Scott Ian Teeth by Chris Gallaher FEATURING: Scott Ian (Anthrax) Joe Trohman (Fall Out Boy) Brendon Small (Dethklok) Corey Taylor (Slipknot) Michael Starr (Steel Panther) Johan Hegg (Amon Amarth) Gary Holt (Slayer) Kim Thayil (Soundgarden) Patrick Stump (Fall Out Boy) “Weird Al” Yancovic Chuck Billy (Testament) Steve “Zetro” Souza (Exodus) Jill Janus (Huntress) Rob Cavestany (Death Angel) and more...

An amazing lyric video created for us by IgnitedesignTV for our first destructive and blood spilling single "The Vortex" available on Spotify, Bandcamp and many more outlets such as Gplay and Apple Music. Join our pack today and subscribe! Enjoy!

DEREK SHERINIAN - Empyrean Sky (Listening Video). Taken from the album "The Phoenix", out September 18th, 2020. Order now: https://DerekSherinian.lnk.to/ThePhoenixID

NECROPHOBIC - Mirror Black (OFFICIAL VIDEO). Taken from the album "Dawn of the Damned", out October 10th, 2020. Order now: https://Necrophobic.lnk.to/DawnOfTheDamnedID Director: Magnus Göthlund Director of photography: Henrik Christoffersson Production company: Meat and Potatoes

From Samara, Russia comes an intense, raw and heavy trip through dark alleyways; Supruga. The soundtrack of our modern times, no one is safe, no one can hide. Prepare for the Endzeit in musical form straight from the land of wolves, bears and the endless thundra. Petrichor: www.hammerheartpetrichor.com www.facebook.com/hammerheartpetrichor www.instagram.com/hammerheartpetrichor www.hammerheartpetrichor.bandcamp.com Supruga: www.facebook.com/suprugaband/

Instagram: @aro_officialmusic https://www.instagram.com/aro_officialmusic/?hl=en Spotify: https://spoti.fi/30I7VHB Song written by: Aimée Osbourne and John Dragonetti Produced and Engineered: Billy Mohler and Rene Arsenault Mixed by Matty Green Mastered by Stephen Marcussen Guitars and Bass - Billy Mohler Keys and Programming - Rene Arsenault Director: Jon Danovic Asst Camera: Armen Soudjian *MAKE Records (2020) https://www.makerecords.com